Sila Nerangalil Sila Manidhargal Music Review

Movie: Sila Nerangalil Sila Manidhargal

Music: Radhan

Director: Vishal Venkat

Cast: Ashok Selvan, Nasser, Riythvika, Reyaa, Manikandan

Vizhi Pesum opens the album on a warm note. It is a breezy romantic duet that's perfect for montage sequences between the lead pair. It is so good to hear Chinmayi sing in her nightingale voice. Her vocals have been rendered the double effect which is quite beautiful. Haricharan's rendition feels like honey to the ears. The interludes and background are replete with guitar strums, subtle piano notes, ukulele, and flute. Next up is the philosophical Yaar Vazhiyil in the voice of Dhanush. The song is reminiscent of Ulaginil Miga Uyaram from Naan. Radhan uses minimal instruments making it a simple yet thought-provoking song. Read our full song review here.

Un Pirivu begins with a lilting piano section. The song is a moving heartbreak number with RJ Vijay's poignant lyrics. Sooraj Santosh emotes well with his classy rendition. The string section in the interlude is radiantly arranged. Short, yet sweet! 

The last song in the album is Unakkaagave, a feel-good song that oozes warmth all over. Sathyaprakash is always a delight to listen to. Maathevan's lyrics effuse positivity and would make you feel good about yourself. The interlude is peppered with scintillating piano and veena along with some amazing string progression. And the specialty of the number is the long outro towards the end of the song. The last time we heard such a long outro was in Rehna Tu. This outro is dotted with mesmerizing swarajathis and humming.

Verdict: Radhan belts out such a soulful album that you'd want to listen to it repeatedly. The album has an old-school charm that can induce nostalgia in you.

Rating: 5/5

Picks: The whole album! 

Listen to the album here:

DMB Picks - Weekly Earworms 06.12.2021 to 12.12.2021

1. Rait Zara Si - Atrangi Re

This song is ambrosia to all Rahmaniacs. It encompasses his 90s, 2000s, 2010s, and 2020s avatar. No wonder he is a musical maelstrom. Listening to this number is pure bliss and we have added it as our number one addictive song of this week.

2. Toofan Si Kudi - Atrangi Re

We couldn't stop listening to this one. With Flamenco gypsy music throughout, this danceable song is a must-listen if you're looking for morning energy boosters.

3. Kaathodu Kaathanen - Jail

With the album and movie's release, this mellifluous song is on repeat mode. Dhanush and Aditi Rao sing as if they have been hypnotized.

4. Mother Song - Valimai

This number is a sure tear-jerker. What with Sid Sriram's honey-dipping voice, this mother-sentiment melody is a song that we all could die listening to. Read our full song review here.

5. Naa Kosam - Bangarraju

Anup Rubens is known for his feel-good songs. Especially, his romantic numbers spread a different kind of warmth. This song is the newest gem to come out of his den. Sid Sriram sounds like a lovestruck guy when he croons to Balaji's heartwarming lines. 

6. Soch Liya - Radhe Shyam

This number hits hard. It is one of the best heartbreak songs to come out in recent times. Mithoon-Arijit is a deadly combo and we cannot tell anything more. Read our full song review here.

7. Tere Rang - Atrangi Re

Yet another masterpiece from Isaipuyal A.R. Rahman. Hindustani is at its best in this number. If you are looking for a song to perform classical dance, look no further than this one.

Listen to the full playlist here:

Yaar Vazhiyil - Sila Nerangalil Sila Manidhargal Single Review

Sila Nerangalil Sila Manidhargal is an upcoming Tamil film directed by Naveena Saraswathi Sabadham fame Vishal Venkat. The movie has an ensemble cast - Ashok Selvan, Nasser, Riythvikaa, Abi Hassan, Reyaa, Manikandan, Anupama Kumar, Anju Kurian, and more. Produced by Trident Arts, the movie has music by Radhan, who has composed music for popular movies like Andala Rakshasi, Arjun Reddy, and Adithya Varma.

Yaar Vazhiyil starts with a mellowed rhythm that veers into the soul-searching mode with Dhanush's rendition. The song sounds more or less like an Ilaiyaraaja number. Radhan weaves a heartrending tune that is tailor-made for a singer like Dhanush. The ebullient female chorus 'Idhuvum kadandhu pogum...' gives the song a magical touch. 

Snehan's lyrics are so poignant that you will be quoting the lines long after listening to the song. Once in a while, such tracks are needed to slow down the pace of our hurried lives and make us look into ourselves.

Listen to the song here:

Mother Song - Valimai Second Single Review

There's no dearth of mother sentiment songs in Tamil cinema music. Recently we had Boomiku Nee Vandha from Jail. Now, it's Mother Song from Valimai. Yuvan Shankar Raja has already given us beautiful songs on this theme - Aarariraro, Nizhalinai Nijamum, and Amma Song. This time he takes it two notches higher by composing a heart-melting tune. 

Beginning with a moving flute section, the song engages a slight rhythm to set the mood. Listening to Sid Sriram croon this number in his elegant voice is pure bliss. Everything about this song is so pleasing. Especially, Vignesh Shivan's lyrics would drive everyone to tears. Every line is quotable and that's the true beauty of the song. The lines 'Amma en mugavari nee...Amma en mudhalvari nee...' is addictive and would surely bring a lump in your throat.

Yuvan dots the interlude with another warm flute section. Since the song has only one charanam, we will be left wanting more and more of it. If you want to gift the perfect ode to your mother, make her listen to this song.

Produced by Boney Kapoor, Valimai is one of the most anticipated films. This Ajith starrer will release on Pongal. The film also has Huma Qureshi and Sumithra playing supporting roles. The music is composed by Yuvan Shankar Raja. This is his 8th collaboration with Ajith. Already, the first single Naanga Vera Maari turned a mass hit and is still ruling the playlists. We are sure that the entire album would be hailed as one of Yuvan's bests 

DMB Picks - Weekly Earworms 29.11.2021 - 05.12.2021

1. Meherezylaa - Maanaadu

What with the release and success of Maanaadu, we became more and more addicted to this Islamic wedding song. Ebullient beats, Yuvan's peppy singing, Bhavatharini's melodious cameo, and the Arabic chants make this number an instant winner.

2. Thala Kodhum - Jai Bhim

This rustic track with inspirational lyrics is like a warm hug to troubled hearts. The guitar strums, flute, and veena section in the interlude, and Pradeep Kumar's heavenly voice make this song sound like an Ilaiyaraaja song. Keep some tissues handy when you're listening to this.

3. Chaka Chak - Atrangi Re

This number's gonna be a staple in all the upcoming weddings. Read our review of the song to understand why we are addicted to it.

4. Thiraiyoadu Thoorigai - Radhe Shyam (Tamil)

Indian music needs such musically rich songs to keep up quality. Justin Prabhakaran and Sid Sriram seem to have been in an otherwordly state while composing and crooning this song. Read our review here. The song is also in Telugu, Kannada, and Malayalam, and all the versions are equally beautiful.

5. Two Two Two - Kaathuvaakula Rendu Kaadhal

This song is the next Yammadi Aathadi. Sunidhi Chauhan and Sanjana Kalamanje compete with each other through their powerful voices, while Anirudh is as usual his peppy best.

6. Ilaveyil Ilaigalil - Maraikkayar Arabikadalin Singam

Though the original version of this song is in Malayalam, we love this version. Chinmayi and Sathyaprakash sound so natural that the song feels like an original Tamil composition. This one joins the bandwagon of our favourite semi-classical numbers. Composer Ronnie Raphael is a promising musician to look for.

7. Aashiqui Aa Gayi - Radhe Shyam (Hindi)

This breezy romantic ballad composed by Mithoon has become the most-streamed song. And the video of this track has crossed 34 million views. No wonder this song finds a place in our earworms list. 

8. Tum Tum - Enemy (Tamil)

A dreamy wedding song. If Meherezylaa caters to Islamic weddings, this number is perfect for Hindu weddings. Thaman's danceable beats, the addictive humming, and the repetitive 'tum tum' make this song all the more celebratory.

9. Aagoozhilae - Radhe Shyam (Tamil)

Sounding like a Yuvan Shankar Raja number, this extremely catchy romantic song brings in a whiff of nostalgia. Justin Prabhakaran's old-school tune is pleasing and is sure to be on the playlists for a long time. The song is also available in Telugu, Kannada, and Malayalam.

Listen to the entire playlist here:

Jail Music Review

Movie: Jail

Music director: G.V. Prakash Kumar

Director: Vasanthabalan

Cast: G.V. Prakash Kumar,  Abarnathi,  Radhika Sarathkumar

The album begins with the effervescent Kaathodu Kaathanen in the voices of Dhanush and Aditi Rao Hydari. Right from the word go, melody oozes from every corner of the song. The track is peppered with breezy flute sections and pleasing string progression. Dhanush scores with his casual rendition while Aditi sounds like Chinmayi with her mellifluous singing. This one is a definite winner. Up next are three folk tracks with gaana elements. Pathu Kaasu, sung by G.V. Prakash, is a short ode to friendship. Nothing special in the number. It's enjoyable as long as it lasts. Mutta Parotta is the quintessential gaana song that's crooned by gaana singers Guna and Ganesan. With crass lyrics, the song is reminiscent of Deva's gaana songs and is sure to be a hit in the C-grade centers. Missah Missesah is the best of the three because it sounds better and is kinda foot-tapping. Also, female gaana singer Isaivani makes the song a lot better with her powerful rendition.  

Nagarodi is another strength of the album. Ananya Bhat sets the song on fire with her radiant voice that packs a punch with every line she sings. Arivu quips in for some classy rap, while GVP croons like a pro. The repetitive 'Nagarodi naga nagarodi...' is so catchy and addictive. Next up is Doomangoli which is high on techno beats and sounds like an electro house song with local elements in it. Arunraja Kamaraja's rendition is a plus point of the song. Though there's nothing to boast about in the number, it will be aired on the radio stations repeatedly. Boomiku Nee Vandha is a mother-son sentiment song that's high on emotion. Beginning with a mystical humming, the song is taken over by Ravi G whose voice flows seamlessly over the beautiful tune. Saindhavi pops in with her sickly sweet voice and owns the few minutes that she gets to croon. The violin in the interlude is mesmerizing and can overwhelm listeners. Snehan's heart-melting lyrics are sure to be quoted for a long time.

The album reaches its finale with two themes. A Moment of Trance has been composed on the lines of Celebration of Life from Aayirathil Oruvan. This highly danceable theme is sure to brighten up your lazy mornings. Ecstatic Folk stays true to its title. It would be mostly played during the hero's moment of achievement. The humming blends perfectly with the theme.

Verdict: Jail is an enjoyable soundtrack with a couple of melodies and a whole lot of gaana songs that'd surely cater to many youngsters.

Rating: 3/5

Picks: Kaathodu Kaathanen, Nagarodi, Boomiku Nee Vandha, A Moment of Trance

Listen to the album here:

Radhe Shyam Second Single Review

 Just as we are basking in the melodious Aashiqui Aa Gayi , the makers of Radhe Shyam have released the second single of the Telugu, Tamil, Kannada, and Malayalam versions. The single which was supposed to release on Dec 1st was postponed to Dec 2nd because of legendary Telugu lyricist Sirivennela Sitarama Sastry's passing away. So, anticipation for the single increased within another 24 hours. Also, the teaser of the song which just had an instrumental bit created such a buzz that the upcoming song was the talk of the town.

The Telugu and Tamil versions, titled Nagumomu Thaarale and Thiraiyoadu Thoorigai, are crooned by Sid Sriram, while the Kannada and Malayalam versions, titled Naguvantha Thaareye and Malarodu Saayame, are sung by Sooraj Santhosh. Composed by Justin Prabhakaran, this mellifluous classical number opens with a dreamy prelude that's dotted with a mesmerizing flute section. Sid Sriram's (Sooraj Santhosh for Kannada and Malayalam) honey-dipping voice seeps into your eardrums to create an ethereal experience.

 

There are so many intricacies in this song that I can speak about it forever. First, there are two stanzas which are a rare occurrence these days. Second, there are a lot of instruments used which makes the track an experience. Sitar and Veena in the first interlude, guitar strums in the second interlude. Then there are other instruments like Santoor, Swaramandal, Mandolin, and Hawaiin Guitar.

Third, the backing vocals turn the song transcendental. Especially, the choral line 'Kaalame nee uraindhu...'  takes the listener to another dimension (with the beautiful chant Radhe Shyam woven into it). Though the song is similar to Justin's Pularaadha from Dear Comrade, the song still is unique and is going to rule our hearts for a long time.

The lyrics for the Telugu, Tamil, Kannada, and Malayalam versions are written by Krishna Kanth, Madhan Karky, Dhananjay Ranjan, and Joe Paul respectively.

Listen to all the versions here.

Mayamalavagowla Raga - Tamil songs in Mayamalavagowla, the harmonious raga.

Dubbed as the easiest raga to learn, Mayamalavagowla is the raga that is used to introduce beginners to Carnatic music. This harmonious raga has been extensively used in many Tamil film songs. There are songs that have happy tones and then there are songs that have melancholic undertones. Nevertheless, this is a joyful raga that is easy on the ears and an absolute cakewalk for singers. My favourite classical composition in this raga is Thyagaraja's ethereal kirtan Tulasi Dalamulache.  Let us see some Tamil movie songs composed in Mayamalavagowla raga.

The ancient composition Govinda Varadha Srihari Gopala from the lost Tamil film Thukkaram that released way back in 1938. This movie featured the Carnatic singer Musiri Subramaniam Iyer. Composed by Susarla Dakshinamurthy, the peppy dance number Azhagaana Ponnu Naan from the movie Alibabavum 40 Thirudargalum. Bhanumathi Ramakrishna's effortless singing would have elevated the sensuousness of the number. Another wonderful composition is from Viswanathan-Ramamoorthy duo. The song Kallellam Manickka Kallaguma from the movie Alayamani is a perfect example of Mayamalavagowla. Sung by T.M. Soundarrajan and L.R. Eswari, this is one of those rare numbers where this delightful raga is heard in its purest form.

Ilaiyaraaja's foray into this raga began with the composition Andhapurathil Oar Maharani from the 1977 Sivaji Ganesan movie Dheepam. And then he started composing some mesmerizing numbers in Mayamalavagowla. Some of the popular songs include Kaadhal Kavidhaigal Padithidum from Gopura Vaasalile, Poongathave Thaazhthiravai from Nizhalgal (such a beautiful semi-classical composition) and Nandri Sollave Unakku from Udan Pirappu. There are also many innovative Ilaiyaraaja compositions in this raga which include the devotional Maariyamma Maariyamma from Karagaattakaaran and Poova Eduthu from Amman Kovil Kizhakkale. Though there are many more songs to name, these are some of the astounding numbers in Mayamalavagowla.

A.R. Rahman indulged this raga in its purest form in Hai Rama Yeh Kya Hua (Hai Rama Oar Varama in Tamil) from the movie Rangeela and the song Sollayo Solaikili (Sunta Hai Mera Khuda in Hindi) from the movie Alli Arjuna. The song Konjum Mainakale from the movie Kandukondain Kandukondain too has traces of this raga and the most recent composition Oh Nanba Nanba (a catchy foot-tapping introduction song for Superstar Rajnikanth) from Lingaa is based on this raga. 

Other songs in Mayamalavagowla are:

1. Solladi Abirami from Adhiparasakthi

2. Andhi Varum Neram from Mundhanai Mudichu by Ilayaraja

3. Enga Ooru Laila Laila from Karagattakaari  by Ilayaraja

4. Idho Idho En Nenjile from Vattathukkul Sathuram

5. Kuyila Pudichu from Chinnathambi  by Ilayaraja

6. Manadhil Urudhi Vendum from Manadhil Urudhi Vendum  

7. Maasaru Ponne Varuga from Thevar Magan  by Ilayaraja

8. Sivagami Nenapinile from Kili Petchu Ketkava  by Ilayaraja

9. Uyire Uyire Urugadhe from Oruvar Vaazhum Aalayam

Sankarabharanam Raga - Tamil songs in Sankarabharanam, the classically-rich raga.

Raga Sankarabharanam is usually associated with pure classical songs. Lots of Thyagaraja Kirtans and other varnams are composed in this raga. This raga has a royal touch to it and hence songs composed in this raga are sure to stay in your playlists for a long time. Film music composers too embedded this raga in many of their compositions. Especially there are lots of Ilaiyaraaja songs in this raga which we will see in this post.

Though Sankarabharanam is not used in its unadulterated state, traces of this raga can be heard in many film songs. One of the oldest compositions which is the ideal example of this raga is the song Chandrodhayam from the 1942 fantasy movie Kannagi. This song was composed by musician S.V. Venkatraman. Another beautiful song which displays the elegance of Sankarabharanam is the song Omkara Naadhanu from the Carnatic-music based Telugu movie Shankarabharanam. S.P. Balasubrahmanyam and S. Janaki rendered the mellifluous tune flawlessly and K.V. Mahadevan's composition is still a huge hit with classical music lovers. 

Moving on to Ilaiyaraaja's compositions, there are famous songs composed in Sankarabharanam raga. His earliest number in this raga was Indha Minminiku Kannil Oru from the 1978 Kamal Hassan starrer Sigappu Rojakkal. This sensuous romantic melody has Sankarabharanam playing hide-and-seek in many lines. Then came the popular song Germaniyin Senthen Malare from the movie Ullasa Paravaigal. Once again, this was a chirpy romantic melody in the evergreen voices of S.P. Balasubrahmanyam and S. Janaki. K.S. Chitra's ultimate song Kuzhaloodhum Kannanukku from Mella Thiranthathu Kadhavu is a quintessential example of Sankarabharanam. Mamavukku Kuduma Kuduma from Punnagai Mannan is a foot-tapping number with traces of this raga. Another peppy song is Pudhu Mappillaikku from the 1989 hit Aboorva Sagodharargal, which is an innovative composition. There have been intricate fusion compositions like Poove Ilaiye Poove from Kozhi Koovuthu (sung sonorously by Malaysia Vasudevan) and Pudhucheri Katcheri from Singaravelan. 

Ada Veetukku Veetukku and Pacha Malai Poovu from Kizhakku Vaasal are songs with a folksy touch. Vachikkava Unna Mattum from Nallavanuku Nallavan, Podi Nadaiya Ponavare from Kadalora Kavidhaigal and Per Vechalum Vekkama from Michael Madana Kamarajan are totally folk numbers which are based on this raga. The ever-popular song Kanmani Anbodu from the Kamal Hassan movie Guna is a wonderful example of Sankarabharanam. Two beautiful songs from the movie Chembaruthi have this raga as their base - Nila Kaayum Neram and Pattu Poove Mettu Paadu. Ilaiyaraaja has composed a heart-melting pathos Thene Thenpandi Meene from the movie Udhaya Geetham.

A.R. Rahman has also used Sankarabharanam in his very first composition Chinna Chinna Aasai from Roja. Neethan En Desiya Geetham from Paarthale Paravasam begins with Sankarabharanam and steers towards Hamir Kalyani and Behag. Music composer Deva has adopted this raga for the beautiful melody Pulveli Pulveli from Aasai. 

Other amazing songs in this Sankarabharanam raga from Tamil Cinema:

1. Aadungal Paadungal from Guru

2. Alapol Velapol from Ejamaan

3. April Mayile from Idhayam

4. Dhillubar Jaane from Kalaignan

5. Maalai En Vedhanai from Sethu

6. Malayala Karaiyoram from Rajadhi Raja

7. Paadi Va Thendrale from Kokkarako

8. Apdi Paakuradhellam from Ivan

9. Singaara Pennoruthi from Oruvar Vaazhum Aalayam

Check out other ragas and their Tamil songs here:

1. Abheri Raga

2. Charukesi Raga

3. Mohanam Raga

4. Kalyani and Hamir Kalyani Raga

5. Gowri Manohari Raga

6. Sindhu Bhairavi Raga

Natpuna Ennanu Theriyuma Music Review

Movie: Natpuna Ennanu Theriyuma

Cast: Kavin, Remya Nambeesan, Arunraja Kamaraj

Director: Shivakumar Arvind

Music director: Dharan

1. Cow Song - Simbu

Here comes a foot-tapping dappankuthu number that is sure to climb the charts in the upcoming days. It is Simbu's open-throat rendition that makes this song listenable and also the catchy line 'Maadu paal kudukkum...' is going to turn into a catchphrase. Kavin's voice-over in the interlude spices up the mood of the song. However, the changeover to house mix techno beats feels a bit out of place. Nevertheless, an enjoyable number!

2. Thookuda Collara - Mark Anthony Thomas, Dr. Burn

Dharan has tried to create a different number, but falls short in the overall execution. This westernized folk number follows the footsteps of the previous song in terms of mood and lyrics. Mark Anthony Thomas's hoarse rendition works well for the song and Dr. Burn's rap is the cherry on top of the cake. But there is this something-amiss feel throughout the song and it doesn't call for a second listen.

3. Inky Pinky Ponky - Dharan, Chorus

This short number is sure to be played in a montage sequence or as a background score in the movie. Dharan himself croons this song and he makes for a pretty good listen along with the chorus. However, the song doesn't make an impact with the listeners and can be easily skipped.

4. Andhar Bulty - Haricharan, Alisha Thomas

This romantic number begins on a lilting melody and then moves on to a slight folk tone when the male part comes in. The breezy feel is maintained throughout and Alisha Thomas's sweet voice makes it all the more mellifluous. Dharan weaves a simple heartrending melody and punctuates it with soulful piano notes and enthralling violin in the interludes. When it comes to the folk section, Haricharan renders joyfully with a rollicking feel. Modern Thanglish lyrics by Jeyachandra Hashmi will go down well with new-gen lovebirds. Perfect romantic ballad!

5. Carrom Board - Mirchi Vijay, Remya Nambeesan

Accentuated with brilliant violin sections, this racy romantic track is energetic and playful. Cheeky lyrics and the speedy orchestration are sure to work well with the youngsters and this number could find a place in the charts. Mirchi Vijay and Remya Nambeesan render well with their fruity vocals, though Remya's modulation sounds funny. The song changes into full-on folk mode towards the end. Celebrations galore!

Verdict:

Music director Dharan, who is rarely heard in the industry nowadays, comes up with a youthful album that is peppy and enjoyable. A few songs stand out, paving way for the composer to come up in the charts.

Rating: *** (3/5)

Picks:

Cow Song, Andhar Bulty, Carrom Board

Sindhu Bhairavi raga - Tamil songs from the heartwarming Sindhu Bhairavi raga.

Sindhu Bhairavi Raga:

If there is a raga that is heartwarming as well as exuberant, it is sure to be Sindhu Bhairavi. This mellifluous raga is said to move even mountains. There are many popular film songs composed in this raga. What's more? There was also a movie named Sindhu Bhairavi, which became a cult classic as years passed by.

Let me begin an assessment of this raga by quoting my favourite classical song. It is the breezy Venkatachala Nilayam composed by Purandaradasa. There are many versions of this song, but my favourite is the modern one sung by Vijay Prakash. You can listen to it here to get a grip of how beautiful Sindhu Bhairavi raga is:

Coming to film songs, the oldest composition in this raga is from the 1943 movie Sivakavi. The song Vadhaname Chandra Bimbamo, composed by Papanasam Sivan and rendered by M.K. Thyagaraja Bhagavathar. Other famous evergreen compositions are from the 1945 movie Meera. Brindavanathil Kannan Valarndha and Kaatrinile Varum Geetham. Sung wonderfully by Bharat Ratna awardee M.S. Subbulakshmi, these songs are perfect examples of the pleasant Sindhu Bhairavi. Another popular song is Mahakavi Bharathiyar's Theerathu Vilaiyaattu Pillai (sung by legend D.K. Pattammal) from the 1948 movie Vedhala Ulagam. In Viswanathan-Ramamoorthy combination, Vaarayen Thozhi Vaarayo from Pasamalar is an ideal exemplary of Sindhu Bhairavi raga. Another famous song of the combo is Aaru Maname from Aandavan Kattalai. M.S. Viswanathan alone indulged in Sindhu Bhairavi in some of his beautiful songs like Unakenna Mele Nindraai from Simla Special (the classical jathis and charanams display the raga's purest form) and Raman Ethanai Ramanadi from Lakshmi Kalyanam.

In the 80s, Ilaiyaraaja took over the reins and composed some astounding songs in this raga, the best one being Valai Osai from the movie Sathya. Of course, Naan Oru Sindhu from Sindhu Bhairavi movie is also based on this raga, where K.S. Chitra's voice perfectly complements the raga. One of the brilliant instances of Sindhu Bhairavi is seen in Madha Un Kovilil from Achaani and Muthu Mani Maalai from Chinna Goundar. Other amazing Ilaiyaraaja compositions include Shenbagame Shenbagame from Enga Ooru Paatukaran (subtly rendered by Mano and Asha Bhosle in their respective versions) and Oru Naalum Unnai from Superstar Rajnikanth's Ejamaan. My personal favourite is the heartwarming Keladi Kanmani from Pudhu Pudhu Arthangal.

Though these composers used this raga extensively, it was A.R. Rahman who took it to the next level with his mind-blowing compositions. His flawless usage of Sindhu Bhairavi is seen in Maargazhi Thingal Allava from Sangamam (sung beautifully by S. Janaki) and Enge Enadhu Kavidhai from Kandukondein Kandukondein in the mellifluous voice of K.S. Chitra. Traces of Sindhu Bhairavi can be seen in Taal Se Taal song from Taal, though the song is completely based on Bhairavi raga. Other Rahman compositions include Nenjinile from Uyire (Hindi version Jiya Jale), Kulirudhu Kulirudhu from Taj Mahal and the recent number Punnagaye (parts sung by Shashaa Tirupati) from 2016 movie 24.

Ivan Dhana from Saamy, composed by Harris Jayaraj, also has Sindhu Bhairavi in it. 

Other noteworthy songs in Sindhu Bhairavi are:

1. Ennai Yaarendru from Paalum Pazhamum

2. Kalyana Saapadu from Major Chandrakanth

3. Thiruthani Muruga from Neelagiri Express

4. Aattama Therottama from Captain Prabhakaran

5. Vanithamani from Vikram

6. Vaanile Thenila from Kaaki Sattai

7. Poongatru from Moondram Pirai

8. Mani Osai from Payanangal Mudivadhillai

9. Enna Satham Indha Neram from Punnagai Mannan

10. Maane Thene from Udhaya Geetham

11. Aalolam Padi from Aavaram Poo

12. Nilave Mugam Kaatu from Ejamaan

13. Nilavu Paatu from Kannukkul Nilavu

Abheri Raga:
http://musicalltheway-music.blogspot.com/2018/03/abheri-popular-raga-songs-in-abheri.html

Charukesi Raga:
http://musicalltheway-music.blogspot.com/2018/03/charukesi-raga-tamil-songs-in-charukesi.html

Mohanam Raga:
http://musicalltheway-music.blogspot.com/2018/03/mohanam-raga-tamil-songs-in-mohanam.html

Kalyani Raga:
http://musicalltheway-music.blogspot.com/2018/03/songs-in-kalyani-and-hamir-kalyani.html

Gowri Manohari Raga:
http://musicalltheway-music.blogspot.com/2018/03/gowri-manohari-tamil-songs-in-gowri.html

Songs in Kalyani and Hamir Kalyani, the soulful ragas.

Today, I am combining two ragas in this post. Kalyani and Hamir Kalyani. Kalyani raga is generally considered as The Queen of Carnatic Ragas, while Hamir Kalyani is janya ragam of Kalyani. That is, Hamir Kalyani is derived from Kalyani. Both these ragas have famous kirtans, varnams and bhajans. They have also been incorporated in film music from the golden era. They have a lullaby-like touch to them which makes them the best raga to compose mellifluous songs. Let us see some examples of film songs composed in Kalyani and Hamir Kalyani raga. Kalyani raga is known as Yaman in Hindustani and Hamir Kalyani is known as Kedar.

The first Tamil song to release in this raga was Sinthanai Sei Maname from the 1957 movie Ambikapathy. Composed by G. Ramanathan, this song was beautifully rendered by the legend T.M. Soundarrajan. In the 1967 Sivaji Ganesan starrer Thiruvarutchelvar, a wonderful song named Mannanvan Vandhaanadi Thozhi has Kalyani in its purest form. This song was crooned melodiously by nightingale P. Susheela and composed by K.V. Mahadevan. Another evergreen composition is Viswanthan-Ramamoorthy's Madhuraiyil Parandha song from the 1967 movie Poova Thalaiya. Hamir Kalyani raga was rarely used in yesteryear compositions. One stand out song is En Uyir Thozhi from the movie Karnan. This was also a Viswanathan-Ramamoorthy composition and it was rendered by P. Susheela.

Ilaiyaraaja used Kalyani raga meticulously in many of his compositions. His famous composition Amma Endru Azhaikaadha from Superstar Rajnikanth movie Mannan is based on Kalyani. Being an auspicious raga, Ilaiyaraaja used it in his devotional composition Janani Janani from Thai Mookambikai. Of course, the ebullient Kalaivaaniye Sindhu Bhairavi movie also has this raga flowing throughout the number. Another pleasant and recent composition is the song Kaatril Varum Geethame from the 2006 movie Oru Naal Oru Kanavu. Other popular songs include Nadhiyil Aadum from Kaadhal Oviyam, Nirpathuve Nadapathuve from Bharathi, Sundari Kannal Oru Seidhi from Thalapathy, and Vandhaal Mahalakshmiye from Uyarndha Ullam. Ilaiyaraaja also used Hamir Kalyani in his compositions, but not as frequent as Kalyani. Some of his famous songs which have traces of Hamir Kalyani are Kaadhal Oviyam Kanden from Kavikuyil and Kai Veenaiyai from Vietnam Colony.

A.R. Rahman is staunch opposite to Ilaiyaraaja in the usage of these ragas. He has incorporated Hamir Kalyani more in his compositions. One of the beautiful songs is Malargale Malargale from the movie Love Birds. Though the song is also infused with another raga, it is a good example for Hamir Kalyani. Mellisonant voices of Hariharan and K.S. Chitra elevate the mood of the song. Other mellifluous Rahman songs include Kaiyil Midhakkum from Ratchagan, Swasame Swasame from Thenali, and Nila Kaaigiradhu from Indira. One can find traces of Kalyani raga in the song Suttum Vizhi Chudar from the movie Kandukondein Kandukondein.

Other songs in Kalyani are:

1. Aararo Aararo from Anand

2. Arul Thavazhum from Guru Ramana Geetham

3. Charanam Bhava Karunamayi from Sethu

4. Konjam Sangeedham Kattru Tha from Veetula Visheshanga

5. Naan Enbadhu Nee Allavo from Soorasamharam

6. Radha Azhaikkiral from Therkathi Kallan

7. Thaalatum Kaatre from Devan

8. Vellai Pura Ondru from Pudhu Kavidhai

Other songs in Hamir Kalyani are:

1. Chandrodayam Oru Pen from Chandrodhayam

2. Kaalai Paniyil from Gayathri

3. Paataale Budhi Sonnar from Karagaatakaaran

14 Must-Listen Albums of Yuvan Shankar Raja

Yuvan Shankar Raja is well-known for his catchy youthful numbers that become a craze within days of their release. Many of his soundtracks have gone on to become chartbusters just because of the commercial foot-tapping numbers present in them. But there are few albums which are musically-rich and have versatile songs in them. Each song from these albums are definite gems and are tailor-made for lovers of good music. Here are 14 must-listen albums of Yuvan Shankar Raja that you must absolutely have in your playlists.

1. Poovellam Kettupaar

Before Yuvan Shankar Raja became a household name with the release of this album, he composed for a few forgettable movies where the songs didn't make any impact. But the songs from this album became instant hits upon its release. Yuvan composed this album with an equal spread of melodies and peppy numbers. Be it the romantic melody Chudithar Anindhu or the catchy Senoreeta and CBI Enge or the soulful Irava Pagala, Sevvanam Vetkam Kondadhu and Poothathu Poothathu or the enjoyable Poove Poove, all the songs had a separate charm to them. 

2. Dheena

This Thala Ajith movie didn't have any commercial songs that portrayed Ajith in the limelight. Even his introduction song En Nenjil sung by Harish Raghavendra was a lighthearted number that didn't have any blaring music. Yuvan also pushed the envelope by composing danceable romantic songs like Kaadhal Website Ondru and Nee Illai Endraal. Then there was this heart-melting number Sollamal Thottu Chellum which became every lovestruck youngster's anthem. And what more? Yuvan topped the album with the scorching item number Vathikuchi Pathikadhuda sung by legend S.P. Balasubrahmanyam.

3. Kaadhal Kondein

Yuvan Shankar Raja became a classic composer with this evergreen album. This was the first Selvaraghavan directed movie where Yuvan composed music and the combo moved on to do many successful films later. The album had memorable numbers like Devathaiyai Kanden, Nenjodu Kalandhidu, Thottu Thottu, and Kaadhal Mattum Purivathillai. Other striking songs were Manasu Rendum and 18 Vayadhil. What went on to become a huge hit was the movie's theme music, which is still used as ringtone by many people. Other excellent montage songs and theme pieces were released later. 

4. 7G Rainbow Colony

Another mesmerizing album from Yuvan-Selvaraghavan combo. Songs and background score played a phenomenal part in the success of this movie. Yuvan Shankar Raja won the Filmfare Award for this soundtrack. Some of the popular gems from this album were the pathos Ninaithu Ninaithu (both versions), the semi-classical Kanaa Kaanum Kaalangal and the lovely Kan Pesum Vaarthaigal. Other songs like Naam Vayathuku Vandhom, January Maadham, and Idhu Porkalama fared well with the visuals. Instrumental pieces like Walking Through The Rainbow and Music of Joy were heartwarming to listen.

5. Pattiyal

Upon its release, this album became a superhit. However, it didn't stand the test of time and many people don't remember the songs well nowadays. But this is a cult classic soundtrack that requires enormous praise for its beautiful songs. Be it the folksy Dei Namma Melam or the soul-stirring Yedhedho Ennangal and Kannai Vittu or the enjoyable Poga Poga Bhoomi or the catchy Namma Kaatula, this was the best example for a versatile album. Almost all the radio stations repeatedly aired these numbers till they were on everyone's lips.

6. Pudhupettai

Considered as one of Yuvan Shankar Raja's out-of-the-world works, this album gained immense popularity when it released. Songs like Enga Area, Variya, and Pul Pesum became a rage among the youngsters. However, it was the song Oru Naalil which pushed the album to the top charts. This one remarkable along with the theme pieces Survival of the Fittest, The Beginning, Prelude, and The War Cry made the soundtrack a musical milestone in Tamil film industry. This was also a Selvaraghavan directed movie.

7. Deepavali

This 2007 movie worked well mainly because of its commendable music. Each song had a different dimension to it and each played a significant role in the progress of the movie. Heart-melting love songs like Kaadhal Vaithu and Pogadhey were every hardcore romantic's favourite numbers. There were also some foot-tapping numbers like Dhol Baje and Thoduven Thoduven. Another popular song Kannan Varum Velai became every girl's dream song of the decade. Though it was a short album, it still remains as an evergreen one.

8. Chennai 600028

This sports comedy movie had an amazing soundtrack and it also fared well commercially. Foot-tapping numbers like Jalsa and Saroja Saman Nikalo became instant chartbusters, while melodies like Yaaro Yaarukkul, Un Paarvai and Natpukullae called for repeated listens. There were also a couple of underrated songs like Ulle Va and Oh Oh Ennamo which spiced up the versatility of the album. Yuvan Shankar Raja hit the bull's-eye with this one.

9. Kattradhu Thamizh

This is that one phenomenal album in Yuvan Shankar Raja's career which made him a sensation all over. The soundtrack featured the mesmerizing melody Paravaiye Engu Irukkirai sung by Yuvan's father Ilaiyaraaja. Apart from this number, other soulful melodies were Unakkagathane Intha and Para Para Pattampoochi. Situational songs like Innum Oru Iravu and Vazhkai Enbathu played a significant role in the progress of the movie.

10. Yaaradi Nee Mohini

Though Yuvan reused all the tunes from the original Telugu movie Aadavari Maatuluku Arthale Verule, this album was widely appreciated as a standalone soundtrack in Tamil. Each and every song is a classic in this album. Be it the heartwarming melodies Engeyo Paartha Mayakkam, Venmegam Pennaga and Oru Naalaikkul or the catchy Nenjai Kasakki, Oh Baby and Palakaatu Pakkathile (remix), all the songs turned out to be all-time chartbusters. All the background scores from this movie also deserve a standing applause.

11. Paiyaa

This can be considered as the highly successful album of the decade. It broke all the records upon its release and Yuvan Shankar Raja was considered as the original hero of the movie. All the songs in the album became sensational. Especially melodies like Thuli Thuli and En Kaadhal Solla are still aired in many radio stations. Other popular songs were Adada Mazhaida, Poongatre Poongatre, Suthudhe Suthudhe and Yedho Ondru. The last number was added as an additional song after the immense popularity of the album.

12. Baana Kaathadi

This was a lighthearted album that gained popularity by word-of-mouth. Songs like Thaakuthe Kan Thaakuthe, Oru Paithiyam Pidikudhu and En Nenjil were remarkable, while the other songs Kuppathu Rajakkal and Ullara Poondhu Paaru played a huge role in the progress of the movie. Though it was an underrated album, all the songs are must-haves in your Yuvan Shankar Raja playlist.

13. Mankatha

This is the only commercial album of Yuvan Shankar Raja that is worthy to be mentioned in this list. Though it had groundbreaking numbers like Vilaiyaadu Mankatha, Vaada Bin Lada, Machi Open The Bottle, and Balle Lakka, it was the melodious numbers like Nee Naan and Nanbane which made the album an overall success. This was the last wholesome Yuvan album before he lost his charm and paved way for other young music composers.

14. Taramani

After a long hiatus, Yuvan Shankar Raja came up with an astounding album for this Ram directed movie. Though only the songs Yaaro Ucchikilai, Un Badhil Vendi, and Kaadhal Oru Kattukkathai became chartbusters, other numbers like Unnai Unnai, Oru Koappai and Paavangalai are sure to find a place in your playlists. Give the other songs a listen and decide for yourself. Hope Yuvan continues this magic with his upcoming albums too.

Gowri Manohari - Tamil songs in Gowri Manohari, the divine raga.

Gowri Manohari raga is a spiritual raga which brings in a sense of calmness to the listener. This is the perfect raga to be played during rituals at home and devotional festivals in temples. There are some soulful melodies in Tamil films which have been composed using this raga. In fact, this is one of the favourite ragas of Ilaiyaraaja and he has based many of his songs on this raga. 

Gowri Manohari - list of Tamil songs in Gowri manohari and more about the raga

Charukesi raga - Tamil songs in Charukesi, the mesmerizing raga.

Charukesi is a heart-melting raga that is used in melodious compositions. Right from the 50s, this beautiful raga has been used to compose songs that render a feel of pathos as well as warm the hearts of the listeners. Though this raga is extensively used in Classical music, it was adopted by music composers to provide a classical touch to their songs. Charukesi's charm was popularized by many film songs and it is used even in today's compositions.

The first song to have Charukesi as its base was Manmadha Leelaiyai song from the movie Haridas. Composed by Papanasam Sivan, this song was rendered flawlessly by M.K. Thyagaraja Bhagavathar. There are many sangadhis in this song which perfectly reflect the astounding raga. Another golden number is Aadal Kaaneero song from the movie Madurai Veeran. This song was composed by G. Ramanathan and crooned meticulously by M.L. Vasanthakumari. This number too has lots of layers of sangadhis and Charukesi is heard at its purest form. Then the popular song Vasantha Mullai from the movie Sarangadhara also has Charukesi evolving from every line. Interestingly, the remix version from the 2007 movie Pokkiri also is based on this raga.

While there is the popular notion that Charukesi is best suited for mellifluous songs, there are some foot-tapping numbers which prove otherwise. The best example is M.S. Viswanathan's Azhagiya Tamizh Magal Ival from the movie Rickshawkaaran. When it comes to the 80s era, Charukesi wasn't left behind. Ilaiyaraaja used this raga beautifully in his evergreen compositions. Songs like Aadal Kalaiye from Sri Raghavendra, Thoodhu Selvadhaaradi from Singaaravelan, and Mayanginen Solla Thayanginen from Naane Raja Naane Mandri. Music composer Deva indulged this raga in the playful romantic number Engengey Engengey from the movie Nerukku Ner. Sung by Asha Bhosle and Hariharan, this song had a rich classical feel to it, despite being a fast-paced melody.

A.R.Rahman, too, used Charukesi in some of his soothing compositions. The best one is Udhaya Udhaya from the movie Udhaya. This sangadhi-filled number was perfectly rendered by Hariharan and Sadhana Sargam. Another soulful song is Yedho Yedho from Enakku 20 Unakku 18 movie. Karthik and Gopika Poornima's voices flow like honey along with this heartwarming raga. In Bollywood, the song Ahista Ahista from Swades has traces of Charukesi in it.

Some of the new-age songs like Thaiyya Tha from Thiruttu Payale and Nenjil Nenjil from Engeyum Kaadhal are good examples of Charukesi raga.

Other Tamil songs based on this mesmerizing raga are:

1. Amma Nee Sumandha Pillai from Annai Oar Aalayam

2. Maapillai Ragasiyam Sollava from Arangetram

3. Muthuthaaragai from Oru Kai Osai

4. Kaadhalin Deepam Ondru from Thambikku Entha Ooru

5. Siriya Paravai from Andha Oru Nimidam

6. Chinnajiru Kiliye from Mundhaanai Mudichu

7. Manamaalayum Manjalum from Vaathiyaar Veetu Pillai

Kaali Music Review

Movie: Kaali (2018)

Cast: Vijay Antony, Anjali, Sunaina

Director: Kiruthiga Udhayanidhi

Music director: Vijay Antony

1. Arumbey - Nivas, Janaki Iyer

Vijay Antony is back to form with this mesmerizing melody that oozes love from every corner. He proves his mettle with the ebullient violin piece in the prelude and continues to weave magic in the interludes with the brilliant strings and accentuated flute pieces. Honeyed voices of Nivas and Janaki Iyer add immense value to the mellifluous tune. The base of the song reminds us of Nenjorathil from Pichaikkaran, but the comparisons end there. Gem of the album!

2. Amma Alugiren - Nivas

Like all his previous movies, Vijay Antony brings in a sentimental mother song in this movie too. The orchestration of this number is top-notch, while the tune meanders off the trail as the song progresses. This song might do better when listened along with the visuals. Nivas once again yields the megaphone and he emotes well with his mellowed rendition. What stands out in the song are the flute sections and the moving lyrics.

3. Noorai Yugam Noorai - Vedala Hemachandra, Sangeetha Rajeshwaran

A song that sounds much like Vijay Antony's Unnai Kanda Naal Mudhal song from the 2014 movie Salim. Since this one is also sung by Vedala Hemachandra, there is not a slight difference between the two songs. It is refreshing to listen to Sangeetha Rajeshwaran after a long gap. The violin and strings in the interlude spice up the romantic mood of the song. Since Vijay Antony repeats his own template, this number doesn't make that much impact. Makes for a good listen on breezy evenings.

4. Poraayo - Deepak

This song is a melancholic pathos with a sleepy pace and an easily forgettable tune. The haunting flute and string sections elevate the song and Deepak's gloomy rendition matches the mood of the number. It's a short track which is worth a listen.

Verdict:

This album begins on an amazing note and loses steam midway. However, it is good to listen to the old Vijay Antony, who used to enthrall listeners with his catchy compositions. One track from this album is sure to stay on your playlists for a long time.

Rating: **3/4   (2.75 / 5)

Picks: Arumbey

Karu Music Review

Movie: Karu

Cast: Sai Pallavi, Naga Shourya

Director: A.L.Vijay

Music director: Sam C S

1. Aalaliloo - Swagatha S. Krishnan

A heartmelting number that evokes strong emotions of motherly love. Sam C S hits the bulls-eye with this beautiful composition. He indulges various instruments like the haunting wind chimes and a concoction of strings in the interludes. The violin piece in the prelude sets the whole mood of the song. Swagatha S. Krishnan's lullaby-like sweet voice feels like honey to the ears. She sounds like singer Chinmayee in many places. Madhan Karky's lyrics are apt for the situation of the number. First gem of the album!

2. Konjali - Sathya Prakash, Neha Venugopal, JKA Shalini

Here comes a Rahman-ish wedding song. This short and sweet track has everything to become the next hit celebratory track in Kollywood. The effervescent background in the song is spiced up by the cacophony of Nadaswaram, flute and violin. Sathya Prakash's ebullient voice stands throughout, while Neha Venugopal's mellifluous tone adds to the beauty. Once again, Madhan Karky spreads his magic with his lyrics. This number might fare better with the visuals.

3. Karuve - K.S.Chitra

A gloomy and haunting melody that is sure to stay in your playlists for a long time. This highly emotional number has the astounding vocals of K.S.Chitra, who modulates her voice to a crying tone and enhances the melancholic mood of the song. One can vaguely make out the storyline of the movie with this number, as Madhan Karky's moving lyrics reveal the central theme. Sam C S scores once again with his exhilarating orchestration and the flute in the interludes are sure to evoke goosebumps in the listeners. Another pick!

4. Voice of Karu - Instrumental

This is the thematic version of the previous number. Sam C S' orchestration is top-notch here, as he plays effectively with the strings and violin. Towards the end of the instrumental, the pace picks up with some light rhythm and suddenly drops to a mellowed ending where the eerie violin, strings and flute drive the theme to an emotional finale.

5. Sound of Revenge - Instrumental

Unlike the previous theme, this is a spine-chilling composition that brings in a sense of dread with its haunting bell gongs, eerie chorus, frightening voiceover of a child and spooky orchestration. Chennai Orchestra proves their mettle once again.

Verdict:

Sam C S proves once again that he is a promising composer to look for. His songs are experimental and have a classic touch to them. Hope Kollywood gets to listen to more of his breathtaking compositions.

Rating: ***3/4   (3.75  / 5)

Picks: 

Aalaliloo, Karuve